Cutting Room Planning

Shade Band Grouping & Roll Allocation to Cut Lays

Halve the shade band and you double the remnants. Both numbers are here.

The Consignment Rolls received and how far the shade drifts across them
m
dE

Worst roll against the best, not against standard

dE

The tolerance you will allow inside one garment

The Cut Plan Marker and lay the fabric will be cut on
m

Shade Bands Required

—

Colour spread divided by the tolerance you will accept

Allocation, Lays & Stranded Fabric

Fabric Stranded as Remnants
— %
Stranded Fabric
— m
Full Lays per Band
—
Rolls per Band
—
Fabric per Band
— m
Fabric Consumed per Lay
— m
Rolls Consumed per Lay
—
Garments Cut from Full Lays
—
Consignment Total
— m

This model assumes rolls are evenly distributed across the colour spread, which is what an unsorted consignment from several dye machines looks like. A bimodal lot - two machines, each internally tight - produces two dense bands and empty space between them, so the even-distribution figure for rolls per band will be wrong even though the band count is right; band from the actual histogram when one is available. Within-roll variation is not modelled and is not always small: side-to-centre-to-side shading on a stenter or a jet can approach the roll-to-roll spread, and no allocation scheme fixes it. Remnant fabric is treated as stranded rather than lost. The lay figure assumes every lay is cut at the stated ply depth; step lays and mixed markers change the arithmetic and generally reduce the remnant.

Shade Band Grouping & Roll Allocation to Cut Lays — free, with the formula and a worked example, at Textile School.