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Transfer saturates below 100 percent. The ink that stays on the paper was bought, printed and thrown away.
Transfer Efficiency
—%
Of the ink on the paper, what reaches the cloth
Yield & Cost
Temperature Factor
—x
Equivalent Time at Reference
—s
Ink on the Fabric
—g/m2
Ink Left on the Paper
—g/m2
Short of the Ceiling
—%
Time to Reach 95% of the Ceiling
—s
Ink Cost
—cost/m2
Cost of the Residue
—cost/m2
Ink and Paper
—cost/m2
Paper Share of that Cost
—%
The saturating exponential has the right shape for transfer and the wrong shape for what happens after it: past the useful window, extra time and temperature stop adding transfer and start costing yellowing, hand and dimensional stability on the polyester, none of which this model sees, so a high dose figure is not permission to press longer. The ceiling is a property of the ink and the fibre together and is the single most sensitive input - it is lower on a heavy or tightly constructed fabric, on a blend where only part of the substrate accepts disperse dye, and on any ground already carrying a finish, and it should be measured by weighing paper before and after rather than assumed. Note that the residue is not recoverable and not inert: paper carrying unsublimed disperse dye is a colour-contamination risk anywhere near a heat source, which is a housekeeping point as much as a costing one. The model treats the whole laydown as a single ink; in practice the four process colours sublime at different rates, and a cycle tuned on total transfer will shift the hue of a mixed shade as the faster components leave first. Nothing here addresses gas-phase transfer distance, calender pressure or paper release coating, all of which move the ceiling.
Using this calculator
About the Sublimation Transfer Yield & Ink Waste
The formula
This is the expression the tool evaluates. Every term is named underneath, with the unit it must be supplied in.
Time and temperature as one doseequivalentTime = pressTime x 2^((T - Tref) / q10)
The same halving rule that governs thermosol fixation; twelve degrees is the usual interval for disperse dye on polyester.
Saturating approach to a ceilingtransfer = ceiling x ( 1 - exp( -k x equivalentTime ) )
Forty-five seconds reaches 93 percent of the ceiling; reaching 95 percent of it takes fifty, and the remaining five percent is never available at all.
What leaves with the paperwasted = laydown - transferred
At 12 g/m2 and 73 percent transfer this is 3.27 g/m2, close to a tenth of a unit of cost per square metre.
Symbols used above
Symbol
Stands for
Unit
inkLaydown
Ink Laydown
g/m2
inkCost
Ink Cost
cost/kg
paperCost
Transfer Paper Cost
cost/m2
pressTime
Press Time
s
pressTemp
Press Temperature
degC
referenceTemp
Reference Temperature
degC
q10
Halving Interval
degC
rateConstant
Transfer Rate Constant
1/s
maxTransfer
Transfer Ceiling
%
transferEfficiency
Transfer Efficiency
%
temperatureFactor
Temperature Factor
x
equivalentTime
Equivalent Time at Reference
s
inkTransferred
Ink on the Fabric
g/m2
inkWasted
Ink Left on the Paper
g/m2
ceilingShortfall
Short of the Ceiling
%
timeFor95PctOfCeiling
Time to Reach 95% of the Ceiling
s
inkCostPerM2
Ink Cost
cost/m2
wastedInkCostPerM2
Cost of the Residue
cost/m2
totalCostPerM2
Ink and Paper
cost/m2
paperShareOfCost
Paper Share of that Cost
%
How the result is derived
Step by step, from the values you type to the figure on screen.
The 9 inputs are read from the form on every keystroke: Ink Laydown, Ink Cost, Transfer Paper Cost, Press Time, Press Temperature, Reference Temperature, Halving Interval, Transfer Rate Constant and Transfer Ceiling.
Each value is checked against the accepted range in the input table below. A value outside its range stops the calculation rather than producing a misleading figure — the results blank out and a message appears.
The validated values are substituted into the expression above, which resolves Transfer Efficiency together with every supporting figure in one pass — no value is carried over from a previous entry.
The supporting outputs — Temperature Factor, Equivalent Time at Reference, Ink on the Fabric, Ink Left on the Paper, Short of the Ceiling, Time to Reach 95% of the Ceiling, Ink Cost, Cost of the Residue, Ink and Paper and Paper Share of that Cost — come from the same pass, so they always describe the same case as the headline figure.
Results are rounded for display only. The full-precision value is used throughout the chain, so reading a rounded intermediate figure back into the tool by hand can shift the last digit.
What each input means
Where to read each value on the floor, the unit it must be in, and the range the tool accepts.
Input
Unit
Accepted range
Default
What it means
Ink Laydown
g/m2
0.5 to 60 g/m2
12
Ink Cost
cost/kg
0 to 500 cost/kg
28
Transfer Paper Cost
cost/m2
0 to 10 cost/m2
0.22
Press Time
s
5 to 300 s
45
Press Temperature
degC
150 to 230 degC
200
Reference Temperature
degC
150 to 230 degC
200
Halving Interval
degC
4 to 30 degC
12
Transfer Rate Constant
1/s
0.005 to 0.5 1/s
0.06
Transfer Ceiling
%
30 to 100 %
78
The most this ink and substrate will ever give
What the tool returns
The headline figure and every supporting value it is built from.
Output
Unit
What it tells you
Transfer Efficiency (headline result)
%
Of the ink on the paper, what reaches the cloth
Temperature Factor
x
Equivalent Time at Reference
s
Ink on the Fabric
g/m2
Ink Left on the Paper
g/m2
Short of the Ceiling
%
Time to Reach 95% of the Ceiling
s
Ink Cost
cost/m2
Cost of the Residue
cost/m2
Ink and Paper
cost/m2
Paper Share of that Cost
%
Worked example
Given
Ink Laydown
12 g/m2
Ink Cost
28 cost/kg
Transfer Paper Cost
0.22 cost/m2
Press Time
45 s
Press Temperature
200 degC
Reference Temperature
200 degC
Halving Interval
12 degC
Transfer Rate Constant
0.06 1/s
Transfer Ceiling
78 %
The tool loads with this case already solved — the Transfer Efficiency shown above is its answer. Change one value and the difference from this baseline is the sensitivity of the result to that variable.
How to use it
Work through the input groups in order — Print and Press Cycle. The defaults are a realistic case, so you can change one value at a time and watch what moves.
There is no calculate button. Every figure recalculates as you type or drag, which is what makes this usable for a what-if sweep rather than a single answer.
Read Transfer Efficiency in the dark results panel — that is the headline figure, expressed in %.
Check the supporting rows underneath (Temperature Factor, Equivalent Time at Reference, Ink on the Fabric, Ink Left on the Paper, Short of the Ceiling, Time to Reach 95% of the Ceiling, Ink Cost, Cost of the Residue, Ink and Paper and Paper Share of that Cost) before acting on the headline — they are where an implausible input usually shows itself first.
Reset to defaults returns every field to the reference case, which is the quickest way to check whether a surprising result came from the tool or from an input you had changed earlier.
Where this is used
Process planning — establishing Transfer Efficiency before a trial is booked, so machine time and material in Dyeing, Printing, Color Management & Chemical Control are committed against a calculated figure rather than an estimate.
Costing and quotation — Transfer Efficiency is an input to the cost sheet, and quoting from a worked number rather than a remembered one is what keeps a margin intact.
Troubleshooting — when the floor result drifts from plan, entering the measured values (starting with Ink Laydown) shows how much of the gap in Transfer Efficiency each variable explains.
Teaching and study — the accepted ranges bracket normal Dyeing, Printing, Color Management & Chemical Control practice, so moving one variable at a time shows the shape of the relationship rather than a single answer.
Assumptions and limits
The saturating exponential has the right shape for transfer and the wrong shape for what happens after it: past the useful window, extra time and temperature stop adding transfer and start costing yellowing, hand and dimensional stability on the polyester, none of which this model sees, so a high dose figure is not permission to press longer. The ceiling is a property of the ink and the fibre together and is the single most sensitive input - it is lower on a heavy or tightly constructed fabric, on a blend where only part of the substrate accepts disperse dye, and on any ground already carrying a finish, and it should be measured by weighing paper before and after rather than assumed. Note that the residue is not recoverable and not inert: paper carrying unsublimed disperse dye is a colour-contamination risk anywhere near a heat source, which is a housekeeping point as much as a costing one. The model treats the whole laydown as a single ink; in practice the four process colours sublime at different rates, and a cycle tuned on total transfer will shift the hue of a mixed shade as the faster components leave first. Nothing here addresses gas-phase transfer distance, calender pressure or paper release coating, all of which move the ceiling.
Every input is bounded to the range normal practice occupies (Ink Laydown 0.5 to 60 g/m2, Ink Cost 0 to 500 cost/kg and Transfer Paper Cost 0 to 10 cost/m2, and so on for the rest). Those bounds are guard rails against typing errors, not a claim that the formula fails one unit outside them.
The calculation is deterministic: the same inputs always give the same result. It carries no allowance for machine condition, operator skill, ambient conditions or lot-to-lot material variation unless an input above explicitly represents one.
Nothing is sent anywhere. The maths runs in your browser, so the numbers you type never leave the page.
Questions people ask
What do I need to know before using the Sublimation Transfer Yield & Ink Waste?
Have these to hand: Ink Laydown, Ink Cost, Transfer Paper Cost, Press Time, Press Temperature, Reference Temperature, Halving Interval, Transfer Rate Constant and Transfer Ceiling. With those entered, the tool returns Transfer Efficiency immediately.
What exactly is Transfer Efficiency?
Of the ink on the paper, what reaches the cloth. It is reported in %. It is derived from Ink Laydown, Ink Cost, Transfer Paper Cost, Press Time, Press Temperature, Reference Temperature, Halving Interval, Transfer Rate Constant and Transfer Ceiling, and is the figure the rest of the Dyeing, Printing, Color Management & Chemical Control calculation is built around.
Which units does this calculator expect?
Enter Ink Laydown in g/m2, Ink Cost in cost/kg, Transfer Paper Cost in cost/m2, Press Time in s, Press Temperature in degC, Reference Temperature in degC, Halving Interval in degC, Transfer Rate Constant in 1/s and Transfer Ceiling in %. Mixing unit systems is the most common cause of a result that looks an order of magnitude wrong — convert before typing, not after reading.
What are the other figures under the main result?
They are the intermediate quantities the calculation passes through: Temperature Factor, Equivalent Time at Reference, Ink on the Fabric, Ink Left on the Paper, Short of the Ceiling, Time to Reach 95% of the Ceiling, Ink Cost, Cost of the Residue, Ink and Paper and Paper Share of that Cost. They are shown because a headline number nobody can trace is a number nobody trusts — checking them against your own expectation is the fastest way to confirm the inputs were read as you intended.
Can I rely on this for a production decision?
The saturating exponential has the right shape for transfer and the wrong shape for what happens after it: past the useful window, extra time and temperature stop adding transfer and start costing yellowing, hand and dimensional stability on the polyester, none of which this model sees, so a high dose figure is not permission to press longer. The ceiling is a property of the ink and the fibre together and is the single most sensitive input - it is lower on a heavy or tightly constructed fabric, on a blend where only part of the substrate accepts disperse dye, and on any ground already carrying a finish, and it should be measured by weighing paper before and after rather than assumed. Note that the residue is not recoverable and not inert: paper carrying unsublimed disperse dye is a colour-contamination risk anywhere near a heat source, which is a housekeeping point as much as a costing one. The model treats the whole laydown as a single ink; in practice the four process colours sublime at different rates, and a cycle tuned on total transfer will shift the hue of a mixed shade as the faster components leave first. Nothing here addresses gas-phase transfer distance, calender pressure or paper release coating, all of which move the ceiling. Treat the output as an engineering estimate that narrows the trial window, not as a substitute for the trial.